The original drawing is 6 by 16 inches and was made with a drafting pencil and gum eraser. Reproductions preserve the original dimensions of the art on 18 by 26 inch paper. They have a title stamp, and are signed and numbered up to 500. Approximately 10% more are labeled 'artist proof.'
This drawing was a feat of concentration, as well as endurance. I worked on it off and on over nine years, in three towns, in two states. It's been sneezed on, coughed at, and dropped face down. I caught my kitty cat laying across it once, before I killed her. I remember almost spilling my coffee on it . . . you could have sold tickets to that one. Most recently it fell out of a wheelbarrow into late snow-melt mud as I packed it away to leave Gothic. That was fun. Thank gods it was wrapped in plastic at the time.
Believe me when I say I never thought I'd see the day.
The wildfire depicted in my drawing was a genuinely horrific event in Colorado history, all the more awful because of its nefarious ignition. The image I remember most vividly is the one I incorporated into my drawing . . . the view out my forth floor apartment window the second or third night of the fire.
That evening I saw a boiling mass of smoke erupting out of the mountains to the southwest of Denver. I thought it was a storm at first, but the more I looked the more I realized that it was moving too fast to be a normal cloud. It was back-lit by the sunset and resembled more a volcanic explosion than a thunderhead. After the sun went down the plume continued to glow red by its own light. To a man from anything-but-wild Indiana, it was an astonishing sight.
It is important to note that there was one civilian casualty as a result of smoke from this wildfire. Even more tragic, five fire fighters died in an automobile rollover accident on their way to help put it out. I dedicate my drawing to these six people as a remembrance. You can read more about them here.
I owe my first numbered print (1/500) to a person I knew in Denver just before I started the final version of the drawing. But I can't find him. Lee Crutchfield . . . get a hold of me.
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